Salsa Dance

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Salsa is popular throughout Latin America as well as in North America, Europe, Australia, and some countries in Asia and the Middle East. It is fast becoming a global phenomenon.

Salsa is typically a partner dance, although there are recognized solo forms, line dancing (suelta), and Rueda de Casino, where groups of couples exchange partners in a circle. Salsa can be improvised or performed with a set routine, choreography and freestyle.

Salsa dance movements originate from the Cuban Son dancing of the 1920s more specifically through the beat of Son Montuno with strong influences from the dance of Danzon, Mambo, Guaguanco and other Afro-Cuban folkloric dancing. Today's Salsa dancing is a rich blend of Latin-American and Western influences. Other dance styles that have influenced today's Salsa include Western and Ballroom dancing. Salsa traces a 90-year history in which there are numerous evolutionary paths, sometimes split due to political and social influences. As a result, today there are various distinct styles of Salsa dancing, namely
  • Cuban ("Casino")
  • New York Style ("Mambo on 2")
  • Los Angeles Style ("On 1")
  • Colombian Salsa ("Cali-Style")
  • Miami-Style Salsa.
Every Salsa composition involves complex African percussion based around the Clave Rhythm (which has four types), though there can be moments when the clave is hidden for a while, often when quoting Charanga, Changüí and Bomba. The key instrument that provides the core groove of a salsa song is the clave. It is often played with two wooden sticks that are hit together. 

Every instrument in a Salsa band is either playing with the clave (generally: congas, timbales, piano, tres guitar, bongos, claves (instrument), strings) or playing independent of the clave rhythm (generally: bass, maracas, güiro, cowbell). Melodic components of the music and dancers can choose to be in clave or out of clave at any point. However it is taboo to play or dance to the wrong type of clave rhythm (see salsa music). While dancers can mark the clave rhythm directly, it is more common to do so indirectly (with, for example, a shoulder movement). This allows the dancing itself to look very fluent as if the rest of the body is just moving untouched with the legs. (source: wikipedia)
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